Monday, May 30, 2011

LIMITED EDITION PRINTS COMING SOON!



As the weather gets colder, things are getting hotter in the studio.
And by hot I don't mean that I'm about to blow myself up by having the heater up full blast with all of those fumes!

Although that is a distinct possibility......what I mean is that a whole bunch of great new work that has been evolving in the studio for the past month is finally coming together, and that's exciting!
Just have to wait for it to stop raining so I can  lug the paintings outside,  get some good shots, then I'll post some of the new work.

The other very cool thing that has been in the pipeline for some time is limited edition prints of some of my most popular work will be available VERY soon.
The prints will come in editions of 30 and will be able to be purchased from my website.
Stay tuned for that.

In the mean time rug up for a chilly winter!

Saturday, May 7, 2011

Mia oatley featured painting in this Months HOME BEAUTIFUL magazine


Stylist Lesiele Hailame has featured one of my paintings in the may edition of HOME BEAUTIFUL MAGAZINE in their trend section PG 42.

The painting "A Midsummer nights dream" has attracted the attention of Stylists and features editors everywhere, with the writer from  the LONDON FINANCIAL REVIEW'S "what to buy section"  Writing back to say that she couldn't wait until I had gained representation in England so she could begin to feature my work.
The painting will also appear in the June Edition of QUEENSLAND HOMES magazine.

The painting 137cm x 197cm in mixed media and is avaliable FOR SALE at $8500

For information on this painting or new work please contact the RICHARD MARTIN GALLERY (02)9327 6525     www.richardmartinart.com.au


or KAREN SPOONER from GALLERY ONE  www.gallery_one.com.au
07) 55280110 on the Gold Coast where the painting is held. This gallery has recently begun representing my work.  Karen has said that works of this quality, genre and size for under $10,000 are in high demand in her Gallery.

HOME beautiful magazine is avaliable for sale in all newsagents NOW. go and grab yourselves a copy!

Monday, May 2, 2011

FIRST DAY OF SPRING

This image is taken from a series of light box's that I did in Paris. It's called First day of Spring.
It show's a group of students sitting around in one of Paris' beautiful parks taking in those first rays of glorious spring weather, where after such a cold and harsh Northern winter Spring effects everybody's senses. The grass seems greener, the air cleaner, love blossoms, and hope fills your heart once again.

Recently a friend who was studying and living in Paris died in tragic circumstances. Out of respect to her family and close friends I won't go into detail, nor reveal her name. Now that the funeral has passed I have a more than adequate understanding of a surreal and horrible reality, but I  prefer not to remember my friend like this, nor let the image I have of a beloved city become tainted.

I'm thinking of Paris on the day that I shot this image. A day that brought me so much pleasure, a day that my friend would also have recently have enjoyed. All the students sitting on the grass, the children playing with toy boats on the lake, lovers laying on the grass, and the beautiful sun, so missed in the bleak winter radiating warmth and inspiration.




Friday, April 22, 2011

KNIGHT RIDER PORTAIT SELECTED FOR THE SALON DES REFUSES 2011


I was honoured to have been selected for this years Salon Des Refuses alongside artists such as Wendy Sharpe, Guy Maestri, and Martine Emdur.

The Salon Des Refuses choose their selection from over 800 entries, with the Archibald selecting the first 40 paintings and the Salon selecting a following 40 paintings from the remaining entries.

The Salon Des Refuses creates a show that in in it's own words "Rivals the official selection, and is prestigious in it's own right" Having a good opportunity to have a look at both exhibitions I can honestly agree with them that there are several paintings that are superior to some of those selected for this years Archibald Prize.

My favourites pieces in the exhibition were a striking black and white portrait by Alan Jones, a stand out piece by Sally Ross, and a beautiful golden landscape by Robert Malherbe.

Without the looming $50,000 prize that someone must win there was a real comaraderie between the artists, all in all an relaxed and happy event, where people mingled, and the speach's were low key, and funny...phew!

On the night I had the good fortune to meet Martine Emdur, and Craig Handley who also shows in the same Sydney gallery as me at Richard Martin Gallery. Martine is a great ambassador for women in the arts, and really any artist who wants to become successful. I was overjoyed to find her down to earth with a great sense of fun.

It was fantastic to see my Subject Jasper Knight seeing and standing next to his portrait for the first time. While it wasn't an entirely realistic portrait, he thought that the eyes had it! a feature that I've left out so many times before.


It's a really interesting show, well worth having a look at, and if you like my portrait you can vote for me in the people's choice award. It's $2000. Think of all the brushes, and paint, and champagne I will be able to buy!

Salon Des Refuses
SH IRVIN GALLERY
Observatory hill, Sydney
ON UNTIL JUNE 15th

Wednesday, April 13, 2011

BALI URBAN ART


Travelling around Bali for 3 weeks definatley gave me the jolt out of my senses that I needed, and was looking for. Things in Sydney were becoming a little too familiar.

One of the highlights of the trip was travelling around Bali on a scooter with my boyfriend. We began in Ubud and travellelled to Candi Dasa to Amed through winding roads in the villages out of the main tourist way. Village kids ran after us and high fived us as we made our way up the coast.

We itched our way through a few flee bitten nights at Good Karma bunglos, but had the good Karma to meet up with a great bunch of gals. On the day we set out it started pouring, being wet season the rain settled in all day, and we spent a day soaked to the bone as we traveled on up to Mt Agung. A place where Besaki the mother temple lies, and many ceremonies, and worshipping occur.

The steaming hot shower at Mountain view Villas was the best in history. From here we wound our way south to Sanor or Snore as it is known due to large population of older tourists who go there, but it was as good as any place to rest before venturing on to Seminyak and Echo beach where there was much in the way of art to interest me, just as well as the beach seemed to be the resting place of all of Bali's rubbish as it had travelled it's way down the rivers to land here. No swimming here!

Down at Echo Beach, a still charming, but rapidly developing site you can find  Duce. Duce is the brainchild of ex Mambo partner Dare his designs of motorcycles on simple boldly coloured backgrounds is really appealing.


The shop also had a gallery with some really great art by an artist called Farid Stevy Asta. His unique street inspired Yogya art is a combination of stenciling, cutting, varnishing, scratching and is applied by a layering method was very cool. I loved seeing his art on skateboards too.


Out the back was the factory and artist studios.One of the studios was the waorking space of Bret Polok an Australin artist who resides in Bali and whose work we had found earlier in the day at a gallery in Seminyak that specialized in Pop Art.


Pop and urban street art has been adopted into traditional balinese art brought by western artists.
 The other way western art has infiltrated into the galleries is via the web. Bali is known as the home of the ripp off's. One guy starts up a factory that's successful and another will go up straight away selling the same products. I was surprised to find this ripp off of a David Bromley painting selling in a Seminyak gallery for just $70. I asked the owner how he came across the work, and he said via the internet.


In between massages, good meals, cocktails, and truly indulging myself as one does on holiday I met some of the locals and some of their stories touched me to such a degree that it took some of the shine off of my temporary Raja like existence in Bali. In Bali one of the waiters told me that a when a group of western clients left without paying for a bottle of wine he had to pay for it.......this equalled 1 months salary for him. Another Massuse told me that she only recieved $1 from the $20 I had paid for my massage. Perhaps she earnt $6 a day

We spent the last part of the trip back in Ubud where it's cleanest in Bali, by comparison, and so many westerners have come to find their piece of paradise in a rice field, but nothing felt more like paradise than breathing in the fresh Sydney autumn air and seeing the clean blue waves roll onto Bronte beach when we returned.

Sunday, March 20, 2011

Archibald Prize Entry 2011 Jasper Knight

Here's my Archibald prize entry this year, plus a couple of studies I did when I was warming up, and working out colour schemes and proportions.








Sunday, March 13, 2011

Everything they didn't teach you at art School




The last few times I've been out to openings I've run into friends who have been reading my blogs, and they were most interested in the blogs that I have written about about how to get more press, and succeed as an artist. I'm sure that there are are others more capable of writing blogs on PR, and marketing skills. I'm certainly not an expert, but I have had to pick up these tools to further my career, and most of it has been learned from watching other successful people, and coming from a family that was self employed, so I was never afraid to go out there and sell my art, in fact I have really enjoyed it.


My motivation to share these tips is from having to endure my first day of art school being told by the head of the school that 95% of us would fail. Motivating! not all, and apparently it goes across right across the board with Design schools as well.
 The other thing that the head of the art school used to like to say during class, was that when we leave and we probably don't become  artists, we can always use the creativity that we have learned here and become chiefs? what...............I know! I didn't want to be a chief either!

I really believe that the main reason that  reason people don't succeed is because they are not equiped with the skills, and by skills I don't just mean talent, because there are many talented people in the world, I mean the confidence to treat your art like a business and marketing it accordingly. Success is in the eye of the beholder too. If you are exhibiting and selling your work, no matter on what level, that is a success.

People need positivity, and encouragement. The negative comments at Art school went right over my head, because I never truly doubted myself.  The other core thing to attaining the success that you want is to toughen up, and filter out negativity, and concentrate on creativity which is positivity plus plus.

Whatever skills I have picked up here , sure weren't from doing a harvard school of business degree, they are from wanting with everything in my soul to succeed as an artist, and knowing that nothing else would make me happy. These simple tips for PR which I believe is so important are outlined below.


MY PR  TIPS

This really important, to building your career, and expensive. So you know that what a PR company would charge to do the recent pr campaign I did for my show, would be within the vicinity of $5000-$10,000. As this is not an amount of money that everyone has at their disposal I hope that you find some benifit in these tips.

Most of the free magazines, such as MX have a section where the writer has their contact details for you to email. Every body reads the free mags by the way. Build up your contacts by compiling a big list of arts writers from many magazines, and newspapers. You will find the writers email addressses by contacting the paper directly.

Create a Simple PDF with some good images of your work, and a press release. Then send out to all your contacts at once.

Regarding the Press release, keep the writing readable. Don't get too long winded on the artistic explanations here. Remember this is a sum up of your artistic statement. When writing the press release think of human angle, a story, something personal, that will amaze people, or that they can relate to.  People will often remember the stories long after the art if it's an interesting one.

Include images in the PDF that are bold, or have eye catching colour combinations. This always comes out better in print, and writers, and editors will seek these sort of images over blander more subdued work in general.

The following day you can begin to follow up your emails with phone calls. Remember that the Press are always looking for stories, so you are doing them a favour by sending them in one, so don't be nervous. Begin by introducing yourself, and then ask if it's a good time to talk, if so then ask if they received the Pdf of your Press release. This process can go on for a while. In my case I sent over 500 emails so I spent 1-2 weeks following up with calls and further emails. It's quite a lot of work, but the results will be worth it.

WEBSITES


Even if you're with a gallery, It's very important to have your own website. One that show cases the full depth of your work, to the world.
It amazes me how some very established artists, only have some very paltry examples of their work on a gallery site. It's not really enough. Websites need to be updated every few 4 months at least with new work, other wise they become out dated, that's why it's a good idea to attach a blog so that you constantly show new work.

BLOGGING AND SOCIAL MEDIA

Many people have covered this topic in some depth. The main points are that once you have established what the blog will be about, it has to be regular or otherwise people will lose interest. 1-2 times per week at least. Some people Blog every day. I've found that Blogging is a great way of connecting with collectors, friends, and fans, while not having to go very far from the studio.

Most people I went to art school with were very talented people, some of them just lacked a bit of confidence. The world has opened up so much with web, and it's possibilities, that so many things are more possible today than they were even from 2002 when we all sat in that room and were told that we probably wouldn't make it as artists. Now is the best time to be an artist, we have so many things to comment on, and the means to comment on them so very quickly. I hope this information has been useful.